Anya Taylor-Joy is probably one of the best actresses of her generation. At just twenty-six, she has managed to deliver some of the most captivating performances of the past decade. His last movie, The menuis currently in theaters and looking to add to its ever-growing list of fantastic performances.
From comedic period pieces to dark indie horror thrillers, Taylor-Joy has dabbled in a bit of everything over her seven-year career. Always the best part of any movie she’s in, a viewer simply can’t have a bad time watching her take over the screen. No matter what mood one is in, there’s sure to be a movie in his filmography to fit the occasion.
“The Witch” (2015)
The witch was the director’s first success Robert Eggerand one of A24’s many great horror films. Told in the style of true folklore, it tells the story of a family encounter with Satan, nicknamed Black Phillip, on their New England country farmhouse. Taylor-Joy plays the lead role of Thomasin, finding herself wrongly accused of witchcraft.
With production beginning the day after her eighteenth birthday, this 2015 film was Taylor-Joy’s starring role. It’s hard to believe this is the young actor’s first film role, as the brilliantly passive performance feels like a feat only a veteran performer could pull off well. It marked an exceptionally promising start to what was to be a solid career.
Purebred is a tense thriller that flew under the radar in 2017. Starring alongside Olivia Cooke, Taylor-Joy’s character is Lily, who reconnects with her apathetic friend Amanda (Cooke). When the two meet over their disdain for Lily’s stepfather, they form a plot to kill the man.
This film is Anya Taylor-Joy’s greatest performance to date. Her sweet-outward, overly cheerful portrayal of Lily pairs perfectly with Cooke’s emotionless Amanda, but it’s Taylor-Joy who really shines. Watching the layers of his performance peel away as Lily’s intentions are revealed helps cement the actor as a true master of his craft.
Emma is based on the 1815 novel of the same name, with Taylor-Joy playing the title character. She is an elegant young woman obsessed with the romantic affairs of her social circle. She sees herself as a matchmaker, constantly seeking love for others, ignoring the quest to fulfill her own desires.
This 2020 adaptation of Jane Austen finds Taylor-Joy leading a satire of the romantic period. The portrait she constructs of the perfectly regal young woman is mesmerizing, and watching her emotions spurt from the seams as everything is stripped down in the final act is stunning. If Taylor-Joy was born to play a role, this would be it.
Divide represented a comeback for the filmmaker M.Night Shyamalan. Taylor-Joy plays Casey, a girl who, along with her two friends, is kidnapped by Kevin (james mcavoy), a troubled man with dissociative identity disorder. While a few of the man’s Quirks are innocent and kind, a few are quite terrifying, and Casey must figure out how to play them off against each other.
Along with McAvoy, Taylor-Joy directs this film. She plays Casey both brave and extremely smart, communicating with Kevin’s various Quirks with brilliant efficiency. She instills a strong sense of courage in the character, making her inevitable triumph over the monstrous McAvoy feel immensely authentic.
“Last Night in Soho” (2021)
Edgar WrightThe latest film shows Taylor-Joy playing opposite Thomas McKenzie in a twisted, time-shifted paranormal horror film. When McKenzie’s Eloise discovers she can time travel, she begins to experience disturbing events from the past, all from the perspective of Taylor-Joy’s Sandie.
Taylor-Joy’s performance of the famous Sandie is dazzling, and she really finds her place in 1960s London. It’s a role that could easily have been nothing without a proper cast, but Taylor-Joy takes the character to huge heights, providing a level of depth not even the script contained.
“Man from the North” (2022)
Taylor-Joy teamed up with the director Robert Egger for this big-budget Viking epic. Inspired by Norse mythology, The man from the north tells the story of Amleth, a Viking bent on revenge. He doesn’t hold back the bloodshed, raging violently through his most memorable sequences.
Thrown in the middle of an all-star cast (featuring the likes of Ethan Hawke, Nicole Kidmanand Willem Defoe), Taylor-Joy still manages to stand out among the legends beside her. She produces a much-needed presence for the film, her character Olga displaying a brilliant form of intellect amid a raging sea of masculinity.
“The New Mutants” (2020)
The New Mutants takes the supernatural elements of the x-men candor and twists them with the coming-of-age genre. Taylor-Joy is one of a group of children who discover they possess remarkable abilities, having to learn not only to control their newfound powers, but also to move on and break free from their past.
While it may not be the most successful installment in the Marvel franchise, Taylor-Joy is undoubtedly the film’s shining star. In a movie full of clunky and tedious sequences, she makes every scene a joy to watch. If there was a reason to watch this underperforming film, it would be to appreciate Taylor-Joy’s delectable performance.
“The Queen’s Wager” (2020)
While not necessarily a movie, this miniseries allows Taylor-Joy to dive deeper into a character than she ever has before. She plays chess prodigy Beth Harmon, a woman who takes over the male-dominated world of gambling while living with drug addiction. It’s the greatest chess entertainment ever created, taking a mind game and turning it into a thrilling spectacle.
Taylor-Joy plays Beth at multiple stages of her life, showcasing a wide range of acting abilities within the same character. The whole series relies on her to carry it, and she does more than enough to keep viewers engaged. Its portrayal of a young chess master is delightful, but its depiction of someone living with an addiction takes this performance to the award-winning level that it is.
NEXT: 10 Best Miniseries Of The 2020s (So Far)
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The Best Anya Taylor-Joy Movies To Watch Before ‘The Menu’ – CNET – ApparelGeek
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