“The Crimes of the Future”: Cronenberg with the scalpel

Veterans of international cinema, at regular intervals, like to unveil requiem-like fictions at the Cannes Film Festival in which they evoke themes that have obsessed them since the start of their careers. Last year, with “Benedetta”, Paul Verhoeven, 83, thus signed a kind of film-summary where, by drawing the portrait of the sulphurous and lesbian … Read more