From the “hypnotic” whirlwind of the Briton Anish Kapoor to the fantasized moon of the Chinese Mao Tao, from Californian street-art to Corsican or Marseille video creations, Bonifacio, in the far south of Corsica, is hosting its first international art biennial contemporary. In total, about fifteen French, Moroccan, American, British, Brazilian, Dutch, Turkish and Chinese artists exhibit their works until November in six emblematic sites for the most part “remained closed to the public until now”, offering a “heritage and artistic rediscovery of the city”, explains to AFP Dominique Marcellesi, 30, one of the two creators of this biennale.
In this city of 3,000 inhabitants which welcomes some two million annual visitors, especially in summer, this first exhibition, baptized Odyssey Redrefers to the odyssey of Homer who passed through Bonifacio and plunges the visitor, through videos, installations and graffiti, into the Mediterranean and the themes of exile, uprooting, migratory movements or slavery. “We wanted to bring to a rural and island space a cultural offer usually confined to large urban and globalized spaces”, while putting “also highlighting Corsican artistic production”, commented Dominique Marcellesi.
The exhibition has been designed in three parts, the first evoking “the movement of the elements, of time, of nature”, details the co-creator of the event. The route begins at the Saint-Roch micro-chapel, which usually only opens its doors once a year, for a mass, with Lavezzi, a film by Corsican artist Mélissa Epaminondi showing a Mediterranean Sea filmed flush with the foam, calm or raging, then adorned with a red filter evoking “as much desire as danger”, points out Prisca Meslier, co-founder of the biennale.
Then, in the garden of the bastion, the gaze glides over the breathtaking panorama of white limestone cliffs plunging into the blue of the Mediterranean at work Descent by the famous British visual artist Anish Kapoor: a whirlwind of black liquid three meters in diameter that seems to disappear into the ground, ad infinitum, with an ogre noise. Already exhibited, notably in Versailles and New York, “this work is the most emblematic of the exhibition, it required enormous engineering to integrate it into the Bonifacian architecture which is protected”, emphasizes Prisca Meslier.
“It’s impressive, frightening at first and totally hypnotic, it’s hard to get out”, enthused with AFP Nathalie and Xavier Sulmont, two architects from Lyon on vacation. For the second part of the exhibition, on “the movement of bodies, of individuals in space”, the stroll through the upper town leads to the old cinema, closed in 1965, which hosts the creations of two artists: the film The Leopard from Briton Isaac Julien on migratory exile and the visual work of 84-year-old Turkish-French feminist Nil Yalter, born in Cairo and raised in Istanbul: “the Mediterranean, that’s her”, summarizes the curator.
For the third part, which scrutinizes “the meeting stage”, direction the Montlaur barracks, closed since the end of the 80s. The site welcomes six artists. The young Marseillaise Sara Sadik shines in particular, with two works including a film, projected on a giant screen, which draws on the graphic universe of video games and tells the aspirations of Zine, a young man from the working-class neighborhoods of Marseille.
Also features the Chinese Mao Tao with Fishing the Moon, a luminous and liquid highlight of a black moon at the end of a corridor where “two loudspeakers broadcast the seven-hertz frequency that the earth emits into the universe, as well as the human mind in the meditation phase”, explains the founder.
“Rouge Odyssée”, in Bonifacio, in the evening until November 6, 2022. Info on the site Derenava.com
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Corsica: Bonifacio hosts its first international biennial of contemporary art
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